From the Editors
The New York Times says Jadaliyya "Brings New Life to Arab Studies." Read about it by clicking here.
After hearing so many horrible stories about what is happening in my country of birth, from the news and from friends, I decided to create an artistic representation of the cycle of loss and hope that is playing out. I took on the role of a young Syrian going through all the chaos in the country. He is born into an ordinary life but then is caught up in the turmoil. In the video, as you follow his path, you realize that things are melting away from him, like in a nightmare. ...Keep Reading »
Kevork Mourad was born in 1970 in Kamechli, a town in the upper reaches of Syria. After receiving a MFA from Yerevan Institute of Fine Arts in Armenia, Mourad began combining his world of visual art with his love of music. With his technique of spontaneous painting, where he shares a stage with musicians—a collaboration in which art and music develop in counterpoint to each other—he has worked with many world class musicians. Among them are Kinan Azmeh, Ezequiel Viñao, Tambuco, Brooklyn Rider, Mari Kimura, Ken Ueno, Liubo Borissov, Eve Beglarian, Rami Khalife, Maya Trio, SYOTOS, Song Fusion, and Yo-Yo Ma and the Silk Road Ensemble, of which he is a member as a visual artist. He has performed at the Brooklyn Museum of Art, the Chelsea Museum of Art, The Bronx Museum of Art, the Rhode Island School of Design, the Chess Festival of Mexico City, The Armenian Center for Contemporary Experimental Art in Yerevan, Le Festival du Monde Arabe in Montreal, the Stillwater Festival, the Nara Museum in Japan, the Art Institute of Chicago, the Rubin Museum of Art, Harvard University, the American Museum of Natural History, Lincoln Center, Central Park’s Summerstage, and the Metropolitan Museum of Art. To view a selection of his performances click here.
"The Sahrawi’s struggle for self-determination is part and parcel of the ongoing uprisings.. Through the collection of work featured in this pedagogical publication, the editors seek to shift away from dominant narratives on the Western Saharan conflict and shed light on more nuanced views and approaches."click | email | tweet