From the Editors
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The great American Pop artist James Rosenquist (who died on 31 March) once said "History is remembered by its art, not its war machines." With this in mind, Jadaliyya's Culture Bouquet returns with new art reviews, commentary, and translated literature. Leyla Mansour recently translated Sinan Antoon's The Corpse Washer from the Arabic into French for Actes Sud Press, and contributes an excerpt from the novel. A short film documenting Helen ...Keep Reading »
Our first summer culture bouquet features fiction from Syria and Iraq and poetry and art from Palestine. Annie Weaver translates "Oh Damascus," a short story by the undertranslated Syrian writer Ghada Al-Samman. Andrew Leber and Elisabeth Jacquette translate excerpts from "Memoirs of an Iraqi Dog," a novel by the Iraqi writer Abdul Hadi Sadoun. Sinan Antoon translates eight poems by the Palestinian poet Zakaria Mohammed. John Halaka reviews ...Keep Reading »
Jadaliyya’s monthly culture bouquet returns after a hiatus. In our March offerings Öykü Tekten translates Selim Temo’s poignant essay about the late Yashar Kemal (1923-2015). Maymanah Farhat interviews Syrian artist Safwan Dahoul. John Halaka reviews Bashar Khalaf’s latest work, and Sinan Antoon translates four poems by the Iraqi poet Mahmud al-Braykan (1931-2002). Selim Temo, "On a Day of a March. . ." Maymanah Farhat, "The Origins of Dreams: An ...Keep Reading »
Iraqi Odyssey: A Global Family Saga by Samir Monday, November 30, 6:00 p.m. The Iris and Gerald B. Cantor Center, 36 E. 8th Street, Theater 101 Tracing the emigrations of his family over more than half a century, this riveting documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays moving homage to the frustrated democratic dreams of people successively plagued by the horrors of dictatorship, war, and foreign occupation. You can watch the trailer ...Keep Reading »
In Mexico 1 November is a day of celebration that honors the lives of the dead with symbolic offerings, festivities, and elaborate alters. An indigenous tradition that began at least 2,000 years ago, Dia de Los Muertos (Day of the Dead) stems from the belief that death is a transition marking a new phase of life, an inevitability that should be celebrated and embraced not feared. With the introduction of Christianity under Spanish colonialism, Dia de Los Muertos was merged ...Keep Reading »
Following a summer hiatus our monthly culture bouquet is back. On display this month: * Khaled Al-Hilli translates a short story by the Ghaib Tu`ma Farman. * Taline Voskeritchian writes about an orphan photograph. * Anni Weaver translates a short story by Ghassan Kanafani. * Sharif Elmusa offers a poem about Alyan al-Kurdi's death. * Kevin Blankinship translates a poem by al-Ma`arri. Interested in contributing to Jadaliyya Culture? Have questions or comments? ...Keep Reading »
Jadaliyya’s Culture Bouquet returns with a March edition of art and literature. Included in this month’s batch are interviews with artists, monograph essays, and a translation of a short story by Ghassan Kanafani. With this series of art-related posts, stay tuned as Jadaliyya Culture expands its coverage of the North African and West Asian contemporary art scenes in the months to come with contributions from a new batch of experts in the field. In the meantime a sneak peek ...Keep Reading »
The trumpet of a prophecy! O Wind / If Winter comes, can Spring be far behind? — Shelley Even in winter, some flowers will bloom. Their blossoms may be fragile, sad and short-lived, but the strongest of all flowers are those which fight the ice. Each petal reminds us that the dead land is yet not dead, and that dull roots soon will stir with spring rain and with that, memory and desire may mix. Here is a bouquet of long-stem pieces that do not fear the frost. — ...Keep Reading »
The great Iraqi poet Badr Shakir al-Sayyab died fifty years ago today, on December 24, 1964. During his short life, Sayyab changed the language and form of Arabic poetry for good: in part, by breaking centuries' old meters and remaking the rhythms of verse; in part, by engaging intensely with a number of traditions and world literatures at the same time; and always, by engaging with the political, cultural and social dynamics of the moment he lived in. During his early ...Keep Reading »
Our October culture bouquet arrives a bit late, but heavy on poetry, original, and translated; Marilyn Hacker, Deema Shehabi, and Sheida Dayani share their new poems. Sinan Antoon translates Amjad Nasser and Ghatfan Ghannum, and Suneela Mubayi translates a poem by Wadi Saadeh. Margot Badran reviews Qarm Qart's latest exhibtion: Margot Badran, Moving in the Maze with Cairene Artist Qarm Qart Marilyn Hacker and Deema Shehabi, Excerpts from Diaspo/Renga Sheida ...Keep Reading »
Almost a decade ago, Saadi Youssef began his poem "Imru' al-Qays' Grandson" by asking: "Is it your fault that once you were born in that country? / Three quarters of a century / and you still pay from your ebbing blood / its tax." He ended the poem with an even more vexing question: "What is it to you / now when you are asked to do the impossible?" As this long hot summer ends, we would not be mistaken to imagine these lines could be about ...Keep Reading »
July has been quite eventful and cruel. Neymar is out and the Caliphate is in and on. And we have a colorful bouquet for our readers. Elliot Colla examines the military-literary complex and the pervasive network of embedded iterature. Sonja Mejcher-Atassi curates a conversation between Charif KIwan and Akra Zaatarai. Jonathan Wright translates an excerpt from Amjad Nasser's novel, Land of No Rain. Soraya Morayef interviews Syrian novelist Khaled Khalifa. Gelare Khoshgozaran ...Keep Reading »
Your eyes do not deceive you, dear reader, Jadaliyya’s Culture Bouquet returns with a rich selection of translations and visual arts related posts, providing ample inspiration for your adventures in summer reading. For poetry lovers: Levi Thompson translates Badr Shakir al Sayyab’s poem, “Whorehouse;” Sharif S. Elmusa contributes the poem “How Long Does A Transition Last?;” Ahmad Diab translates Muhammad al-Maghut’s "Roman Amphitheaters;" and Suneela Mubayi ...Keep Reading »
As Mark Twain wrote on New Year’s Day in 1863, “Now is the accepted time to make your regular annual good resolutions. Next week you can begin paving hell with them as usual.” Before readers embark on that treacherous path, Jadaliyya Culture offers a selection of 2013 highlights for a preemptive enrichment of souls and minds. Below are twenty-five entries that have sharpened critical readings of culture. Stay tuned for more reviews, essays, excerpts, translations, ...Keep Reading »
The days might get shorter, but culture never does. Below is a selection of Jadaliyya Culture’s recent content for readers to revisit or discover. Sinan Antoon discusses the translation of his novel, The Corpse Washer Jonathan Guyer discusses the old/new red lines of political cartooning in Egypt Kamran Rastegar reviews Bahman Ghobadi’s Rhino Season and Mohammadreza Farzad’s Falgoosh Katie Cella reviews She Who Tells a Story at the Museum of Fine Arts, ...Keep Reading »
As the end of summer approaches and lazy days become few and far between, Jadaliyya's Culture Bouquet offers a combined selection of posts in preparation for fall. Beeta Baghoolizadeh contributes a Visuals in 1500 entry on the nineteenth-century marriage contracts of Mashhadi Jews in Iran. Maymanah Farhat reviews the debut Kuwait pavilion at the 55th International Exhibition of the Venice Biennale. Elliott Colla resumes the Revolution Bookshelf series ...Keep Reading »
Jadaliyya's Culture Bouquet returns with the first of two summer editions. Mona Kareem translates a poem by the late Syrian poet Riyadh Alsalih Alhussain. Elisabeth Jaquette translates a short story by Youssef Idris. Maymanah Farhat considers Kamal Boullata's monograph on painter Hani Zurob in a brief post that marks the beginning of a new series of short reviews on the culture page. Maymanah also interviews artist and art magazine publisher Amir H. Fallah as he ...Keep Reading »
Jadaliyya's April culture bouquet arrives with a special focus on the visual arts. Mehri Khalil contributes the first installment of a series of posts on the reopened galleries for Islamic Art at the Metropolitan Museum of Art, the Museum of Islamic Art in Cairo, and the Louvre Museum. Rima Chahrour profiles the "Self Portrait" performances of Marya Kazoun. Noura Alsager reviews Joana Hadjithomas and Khalil Joreige's New York City showing of their ...Keep Reading »
In Jadaliyya's monthly culture bouquet Ella Shohat re-members Baghdad elsewhere, Sinan Antoon translates poems by Iraqi poets Saadi Youssef and Salah Faik, Samia Halaby writes on Abed Abdi and liberation art, and John Halaka contributes to the series Visuals in 1500. Ella Habiba Shohat, "Remembering A Baghdad Elsewhere: An Emotional Cartography." Saadi Youssef, "Genesis 34" (tr. Sinan Antoon) Salah Faik, "On the Tenth Anniversary of Murdering my ...Keep Reading »
Jadaliyya's February Culture Bouquet is our most colorful so far! Our new series Visuals in 1500 returns with contributions by artists Doris Bittar and Sundus Abdul Hadi. Pierre Joris and Habib Tangour share their introduction and selections from their massive anthology of written and oral literature of the Maghreb. Emily Drumsta translates a poem by the pioneer Iraqi poet Nazik al-Mala'ika. Sebastian Anstis translates Libyan writer Omar Al-Kikli. Nicole Fares ...Keep Reading »
Sinan Antoon is a poet, novelist and translator. His poems and essays (in Arabic) have appeared in as-Safir, al-Adab, al-Akhbar, Majallat al-Dirasat al-Filastiniyya, Masharef and (in English) in The Nation, Middle East Report, Al-Ahram Weekly, Banipal, Journal of Palestine Studies, The Massachusetts Review, World Literature Today, Ploughshares, Washington Square Journal, and the New York Times.
He has published two collections of poetry; Mawshur Muballal bil-Hurub (Cairo, 2003) and Laylun Wahidun fi Kull al-Mudun (One Night in All Cities) (Beirut/Baghdad: Dar al-Jamal, 2010). His novels include I`jaam (2003), which has been translated into English as I`jaam: An Iraqi Rhapsody (City Lights, 2006), as well as Norwegian, German, Portuegese, and Italian, Wahdaha Shajarat al-Rumman (The Pomegranate Alone) (Beirut: al-Mu'assassa al-`Arabiyya, 2010), forthcoming from Yale University Press in Spring 2013 as The Corpse Washer, and Ya Maryam (Beirut: Dar al-Jamal, 2012). His translation of Mahmoud Darwish’s last prose book In the Presence of Absence, was published by Archipelago Books in 2011 and won the 2012 National Translation Award given by the American LIterary Translators Association (ALTA). His co-translation (with Peter Money) of a selection of Saadi Youssef's late poetry was published by Graywolf in November 2012.
Maymanah Farhat is Artistic Director and Editor of Publications of Ayyam Gallery, co-editor of Jadaliyya Culture, and a curatorial advisor to the Arab American National Museum. She was listed among Foreign Policy magazine's 2014 Global Thinkers.