From the Editors
The New York Times says Jadaliyya "Brings New Life to Arab Studies." Read about it by clicking here.
Sabah Mustapha Ahmad / Ahmed al-Fahel / Ahmed Subhi al-Fahal/ Ahmad Subhi al-Fahl / Waddah Saadi Saleh al-Obeidi / Brothers of dead man / Daugther of dead couple / Wife of Dead man / Daughter of dead couple…and Counting: Failure and Loss in Wafaa Bilal’s Body Modification Work. In Wafaa Bilal’s recent performance, …and Counting, the artist utilizes tattoo art to document the deaths of thousands of Americans and Iraqis killed since March 2003, which marked the ...Keep Reading »
George Awde, Solo Show at the Korn Gallery, Curated by Rebecca Soderholm, September 7 – October 14 George Awde’s first US solo exhibition offered an arresting and intimate look at the production of masculinity and kinship at the interstices between Syria and Lebanon. Awde, an American-born artist of Lebanese descent, is a photographer and educator who works in the US and Beirut. He received his BFA in painting from Massachusetts College of Art in 2004, and in 2009 he ...Keep Reading »
Foreclosed: Between Crisis and Possibility. Curated by Jennifer Burris, Sofía Olascoaga, Sadia Shirazi, and Gaia Tedone, Helena Rubinstein Curatorial Fellows of the Whitney Independent Study Program, 2010-2011. May 20 - June 11, 2011 The Kitchen, 512 West 19th Street, New York, NY One sticky summer afternoon, I walked into The Kitchen and encountered a distinctly alienating experience. A red rotary phone—sans rotary dial—rested on a reception desk and was set against a ...Keep Reading »
Barrak Alzaid (b. 1985 Kuwait, MA Performance Studies, NYU) is a writer, curator, and artist, and is the Artistic Director of ArteEast. In this role he has developed and launched a residency initiative, curates a monthly artist talk series, and is the chief editor of the ArteEast online quarterly magazine. Recent installation and performance work include Seera Kartooniya [Bushwick Open Studios, 2010] and Diwaniya with Fatima Al Qadiri and Aziz Alqatami [Gwangju Design Biennial 2011]. Curatorial work includes antinormanybody [Kleio Projects, 2011] and Anti-Artist Talks [Performa 11, New York]. His article, "Fatwas and Fags: Violence and the Discursive Production of Abject Bodies" is available in The Columbia Journal of Gender and Law. He is a contributor to Jadaliyya and Ibraaz.
"There is no neutral ground to stand on, and any space for critical distance has narrowed. The stakes are enormous; differences of perspective now feed into matters of life and death... Nuance invites accusations of complicity. To evoke a perception is to be associated with it."click | email | tweet