From the Editors
The New York Times says Jadaliyya "Brings New Life to Arab Studies." Read about it by clicking here.
Urban scars, cutting deep into the flesh of the city. Lines of division that linger through the civic body, long after their political and social meaning was lost. Areas of inexplicable void within a thriving city. Areas that are constantly on the drawing tables of architects and city planners, who seek to redeem the past, to bring closure to whatever conflict there were, to move on, god dammit. The property value is huge. The return on investment promising. So why do they ...Keep Reading »
Yair Wallach is a historian, researcher and writer. Originally from Jerusalem, he has lived in London since 2003. His academic work centers on everyday manifestations of the contested nature of modernity in Israel/Palestine. Yair's PhD (Birkbeck, 2008) examined Arabic and Hebrew "urban texts" - graffiti, street signs and stone inscriptions - in modern Jerusalem 1858-1948. His screenplay, "Station", on the late-Ottoman railway station of Jerusalem, won an honourable mention in the MIT 2008 Just Jerusalem competition. He is currently a research associate at the University of Cambridge, in the ESRC research programme "Conflict in Cities", where he studies the possibilities and meanings of "shared space" in Jerusalem and other contested cities.
"The ethos of respect, tolerance and pacifism which appeared to underpin Coppolani’s mission, in fact served as a convenient tool of ethical legitimacy for the French empire.. local ways of life were to be respected and upheld only insofar as they did not pose any threat to the far more pressing dictates of colonialism."click | email | tweet