From the Editors
Friends and colleagues often ask if I am busy responding to Syria’s three-year revolution-turned-civil war, given that I have spent much of my career researching and writing about social and cultural life in Damascus. I reply with guilt-tinged evasion. This “expert’s” reluctance to intervene mystifies and disappoints them. Seemingly suspecting a lack of initiative, they suggest I compose op-eds and offer media contacts. I demur and change the subject, but I know I am not ...Keep Reading »
As antigovernment protests gripped Syria in 2011 and 2012, observers celebrate a new generation of activist artists and their innovative forms of creative dissent. The wall of fear that had long curtailed artistic expression has collapsed, they argue, with youthful satirists moving beyond the despair and complaisance of older cultural producers to flood the internet with caustic caricatures and enliven demonstrations with imaginative tactics. Articulated in the international ...Keep Reading »
Christa Salamandra is Visiting Professor at The Center for Middle Eastern Studies, Lund University, Sweden, and Associate Professor of Anthropology at Lehman College and the Graduate Center, The City University of New York. She is the author of A New Old Damascus: Authenticity and Distinction in Urban Syria (Indiana University Press, 2004), and numerous articles on visual media and urban culture in the Arab world. She is currently writing a book-length ethnography of Syrian television drama production. For more information, visit: http://www.christasalamandra.
"... breaking from the chains of subjugation means undermining the historico-racial schema by challenging the white mythos created by the law and sustained by the self, including the carefully crafted legal fictions of the separateness of Jerusalemites/Bedouin/Arab-Israelis/West Bankers/Gazans/refugees. By doing so, they will be better placed to effect free agency in the schematization of the colonial world they inhabit.click | email | tweet