From the Editors
The New York Times says Jadaliyya "Brings New Life to Arab Studies." Read about it by clicking here.
Maleh's relationship with the Syrian authorities deteriorated after Fragments, which the director sees as the end of an era in his professional life. A pivotal incident occurred on his birthday in September 1981. As the filmmaker drove by the Foreign Ministry, a guard signaled him to pull over and let an official car pass. The director stopped, but apparently not quickly enough, for the guard beat him on the head with a rifle butt. Maleh passed out and woke to the voice of ...Keep Reading »
Syrian filmmaker Nabil Maleh epitomizes the figure of the artist-activist, the socially committed and politically engaged cultural producer. Over decades of production and across genres, his work has challenged artistic, cultural, and political regimes. Maleh often cites a defining moment of childhood resistance: the seven-year-old Nabil confronted a soldier who tried to keep him off a public park swing so that military officers' children could have free rein. In return for ...Keep Reading »
Friends and colleagues often ask if I am busy responding to Syria’s three-year revolution-turned-civil war, given that I have spent much of my career researching and writing about social and cultural life in Damascus. I reply with guilt-tinged evasion. This “expert’s” reluctance to intervene mystifies and disappoints them. Seemingly suspecting a lack of initiative, they suggest I compose op-eds and offer media contacts. I demur and change the subject, but I know I am not ...Keep Reading »
As antigovernment protests gripped Syria in 2011 and 2012, observers celebrate a new generation of activist artists and their innovative forms of creative dissent. The wall of fear that had long curtailed artistic expression has collapsed, they argue, with youthful satirists moving beyond the despair and complaisance of older cultural producers to flood the internet with caustic caricatures and enliven demonstrations with imaginative tactics. Articulated in the international ...Keep Reading »
Christa Salamandra is Visiting Professor at The Center for Middle Eastern Studies, Lund University, Sweden, and Associate Professor of Anthropology at Lehman College and the Graduate Center, The City University of New York. She is the author of A New Old Damascus: Authenticity and Distinction in Urban Syria (Indiana University Press, 2004), and numerous articles on visual media and urban culture in the Arab world. She is currently writing a book-length ethnography of Syrian television drama production. For more information, visit: http://www.christasalamandra.