From the Editors
Jadaliyya Revamps Arabic Section . . . click here
Jadaliyya Launches Arabian Peninsula Page . . . Click here!
الآن . . . القسم العربي بحلة جديدة
The Culture Page Returns . . . . click here
Jadaliyya launches its new Syria page . . . Click here.
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Charles HIrschkind
From the Blogosphere to the Street: The Role of Social Media in the Egyptian Uprising
While the uprising in Egypt caught most observers of the Middle East off guard, it did not come out of the blue. The seeds of this spectacular mobilization had been sown as far back as the early 2000s and had been carefully cultivated by activists from across the political spectrum, many of these working online via Facebook, twitter, and within the Egyptian blogosphere. Working within these media, activists began to forge a new political language, one that cut across the ...
Keep Reading »Bio
Charles Hirschkind is Associate Professor of Anthropology at the University of California, Berkeley. His research interests concern religious practice, media technologies, and emergent forms of political community in the urban Middle East and Europe. In his recent book, The Ethical Soundscape: Cassette Sermons and Islamic Counterpublics (2006), he explores how a popular Islamic media form—the cassette sermon—has profoundly transformed the political geography of the Middle East over the last three decades. He is also the co-editor (with David Scott) of Powers of the Secular Modern: Talal Asad an his Interlocutors (2005). Other publications include “Cultures of Death: Religion, Media, Bioethics” (Social Text 2008), “Cassette Ethics, Public Piety, and Popular Media in Egypt.” (Media, Religion, and the Public Sphere, eds. A. Moors and B. Meyer, 2005), “The Ethics of Listening: Cassette-Sermon Audition in Contemporary Cairo” (American Ethnologist 2001). His current project is based in southern Spain and explores some of the different ways in which Europe’s Islamic past inhabits its present, unsettling contemporary efforts to secure Europe’s Christian civilizational identity. This project has been funded through an award from the Carnegie Corporation of New York.
