From the Editors
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الآن . . . القسم العربي بحلة جديدة
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Sadia Shirazi
City, Space, Power: Lahore’s Architecture of In/Security
Casualties of War Lahore today looks like a city at war. One of the greatest unacknowledged casualties of the United States’ “war on terror” has been the cities—and citizenry—of Pakistan. The US invaded Afghanistan in 2001 to oust the Taliban from power in response to the terrorist attacks on the World Trade Center.[1] In 1985, sixteen years prior, President Ronald Reagan equated the Taliban mujahideen who had defeated the Soviets in Afghanistan as “the moral equivalent of ...
Keep Reading »Cinematic Occupation
Kamal Aljafari, Port of Memory. France/Germany/UAE/Palestine, 2009. In the state of siege, time becomes place Fossilized in its eternity In the state of siege, place becomes time Lagging behind its yesterday and its tomorrow —Mahmoud Darwish, “State of Siege” Kamal Aljafari’s film Port of Memory (2009) opens with a long tracking shot of a grand, decaying house at twilight. The camera lingers on the skin of this structure that bears traces of other times and previous ...
Keep Reading »Bio
Sadia Shirazi is an architect, curator, and educator based in New York City. She is engaged in a transdisciplinary practice investigating the relationship of art, architecture and urbanism to socio-political issues, cultural memory, and exhibition practices. Her recent curatorial projects include 136 MB / Exhibition Without Objects at The Drawing Room in Lahore (2012) and Foreclosed. Between Crisis and Possibility at The Kitchen in New York City (2011). She has worked in architectural practices in Cambridge, Cairo, and Chicago and as a researcher and designer for the artists Kyrzstof Wodizcko and Andrea Geyer. Shirazi holds a MArch degree from the Massachusetts Institute of Technology (MIT), a BA from the University of Chicago and is a former fellow of the Whitney Museum Independent Study Program.
