From the Editors
The Mohammed Mahmud wall remains alive and kicking through its graffiti, which is getting altered by the hour. The walls continue to be whitened thanks to the efforts of Egyptian authorities. Yet drawings keep on appearing layers after layers to cover the older ones and the white paint. Not only have the walls of Mohammed Mahmud Street become “a memorial space,” as I have noted in a previous contribution, but also a barometer of the Egyptian revolution. The murals seem to be vividly narrating the most recent political turmoil, portraying the state of the arts of the revolution. Sardonic graffiti and abundant insults against counter-revolutionary forces are re-emerging by the hour. Three recent drawings are worthy of attention.
[Half-Mubarak/Half-Tantawi mural before it was erased. Photo by Mona Abaza.]
[Half-Mubarak/Half-Tantawi mural repainted with Amr Mousa and Ahmed Shafiq appearing
in the background. Photo by Mona Abaza]
When professional whiteners erased the portrait of half-Tantawi half- Mubrak (referenced in my previous piece) a group of revolutionary artists immediately replaced it with a new one featuring a triple-portrait of half-Mubarak half-Tantawi, but this time with half-Amr Mousa half-Ahmed Shafiq appearing in the background. These were supplemented by phrases like “I will never give you the trust and you will never rule me one more day”.
[Uniformed joker holding Mohamed Morsi and Ahmed Shafiq, along with four skeletons with threads.
Morsi’s face appears as a black head. Photo by Mona Abaza]
Also erased last week was the painting of the uniformed joker holding marionettes with threads. Artists repainted the same image, yet this time the marionettes are the two presidential candidates who advanced to the second round of the vote, namely the Muslim Brotherhood’s Mohamed Morsi (painted as a black head) and Ahmed Shafiq, along with a few skeletons.
[Mural showing the mothers of the martyrs with the phrase: “forget what passed and stay
behind the elections.” Photos by Mona Abaza]
The Mohammed Mahmud wall was painted over by Ammar Abu-Bakr with yet again mothers of the martyrs dressed in black garment and lifting up the pictures of their deceased sons. Ammar Abu-Bakr painted the following phrase over Alaa Awad’s mural that shows the revolution’s martyrs: “Forget what passed and stay behind the elections.” While some may interpret these words as a show of support for the elections, they were meant sarcastically, as if anyone would choose to dismiss the sacrifices of the revolution’s martyrs.
Alaa Awad’s mural was the first to be wiped out by the professional whiteners a few weeks ago, ironically after he had requested from the American University in Cairo (AUC) to fixate the walls. Ammar Abu-Bakr adopted a different stance, stating at an AUC talk that the graffiti has to remain ephemeral and to constantly change and develop. It seems that Abu-Bakr’s wish has been granted: Mohammed Mahmud Street walls are now the site of a lively conversation that informs passers-by about the most recent moods of the street.
1 comment for "The Revolution's Barometer "
If you prefer, email your comments to firstname.lastname@example.org.
Hot on Facebook
“There is no hypocrisy; there is power and privilege. Perhaps it is the most damning indictment of all that US policy can so consistently deliver harm while even its most erstwhile critics sustain the celebration of its standing and its values.”click | email | tweet
Jad NavigationView Full Map, Topics, and Countries »
Jadalicious / جدلشس
Open Letter: Urgent Need for Cross-Border Aid for Syrians http://t.co/HnxIdcPxtS
yesterday at 4:23 PM
Tunisia’s Consensus, or When a Kiss is Just a Kiss http://t.co/i3dWLBcToc
yesterday at 9:00 AM
DARS Media Roundup (March 8) http://t.co/0jzZ1mrTay
yesterday at 8:10 AM
Sosyal Bilimler ve Kadınların Bilme Biçimleri http://t.co/1G2BqGHJ8z
yesterday at 7:59 AM
We the Women Are in Taksim in Istanbul on the 8th of March! http://t.co/JcPtoT2tLk
yesterday at 7:42 AM
Latest EntriesView All Entries »
- Tunisia’s Consensus, or When a Kiss is Just a Kiss
- DARS Media Roundup (March 8)
- Sosyal Bilimler ve Kadinlarin Bilme Bicimleri
- We the Women Are in Taksim in Istanbul on the 8th of March!
- لماذا لم يثر الصعيد؟ محاولة أولية للفهم ودعوة للنقاش
- عن السيد الجديد والمرأة المصرية
- Photography Media Roundup (March 6)
- قصائد المهمّشين
- New Texts Out Now: Annika Marlen Hinze, Turkish Berlin: Integration Policy and Urban Space
- Egypt Monthly Edition on Jadaliyya (February 2014)
- The (Ir)relevance of Academia? Academics Lash Back at Kristof for NYT Column
- Les quartiers populaires et les printemps arabes: Elements pour une approche renouvelee
- Buradan bir cikis var mi? Ya da neden HDP’deyim?
- Media on the Margins: An Interview with Muhammad Ali on his Frontline Documentary "Syria's Second Front"
- Syria Media Roundup (March 4)
- Arabian Peninsula Media Roundup (March 4)
- Turkey Media Roundup (March 4)
- Palestinian Refugees in Lebanon: Health, Access, and Contributions
- Harvard Event: The History of Syrian Revolt: Structural Causes and Dynamics (4 March)
- الأنبار بين مفهومين: الحرب والسلام