New Article Submission

Thank you for your interest in Jadaliyya. We welcome all submissions. The most significant requirement is for Jadaliyya submissions to be analytically compelling and offer a perspective or argument that has not been covered at length either on Jadaliyya or elsewhere. Because of the volume of submissions, well-written pieces are prioritized. Length is flexible, 1000 to 2500 words is the average range. However, we will accept longer pieces. Once submitted, several members of the editorial committee will review your piece and one of them will inform you of the decision.
Author Details
Article Details
Select Countries
Select Keywords
Select Topics
Only RTF, Word, and Pages documents accepted.

Recommended image size: 762x800 px

Location of each image should be indicated in the text of the article via a square bracket caption that includes: (1) a description of the image; (2) the photographer/designer and source of the image. Please note we only use images you as the author have the right to use, which usually means those of your own creation or those published under Creative Commons. Alternatively, you need specific permission from the copyright holder.
Please read the Release Form and provide an electronic signature [your full name] below to confirm that you accept its terms
Required
Hyperlink words in your article if they refer to links on the internet. We encourage more, rather than less, links (try to avoid footnotes—embed them as hyperlinks if possible)

Article added successfully.

Pages Menu BETA

Authors

Reema Salha Fadda

Reema Salha Fadda is a writer, editor and academic whose work engages with the political economy of artistic production, focusing mainly on Palestine and the wider region. Her writing has been commissioned by leading international publications and she has programmed cultural events across historic Palestine, Cairo, Amman and London. 

ARTICLES BY Reema Salha Fadda

  • New Lessons from Gaza

    New Lessons from Gaza

    I have worked on and written about Palestinian cultural politics for fifteen years.  And yet, over the past fifty days words have felt inconsequential in the face of Israel’s genocide. For nearly two months, live streamed on our screens, Gaza has been turned into a dystopian gallery of images th..