Marrakech Event: Art Practice and Research in North Africa and the Middle East Resources and Translations (12-13 December)

[Dar al-Ma’mûn logo. Image from dam-arts.org] [Dar al-Ma’mûn logo. Image from dam-arts.org]

Marrakech Event: Art Practice and Research in North Africa and the Middle East Resources and Translations (12-13 December)

By : Jadaliyya Reports

Art Practice and Research in North Africa and the Middle East Resources and Translations
12 & 13 December 2012
Dar al-Ma’mûn, Marrakech

In collaboration with the National Institute of Art History (INHA, Paris), the residency center for artists and translators Dar al-Ma’mûn will host a symposium in Marrakech under the title Artistic Practice and Research in the Maghreb and the Middle East: Resources and Translations.

The symposium is convened by Omar Berrada (Dar al-Ma’mûn) and Zahia Rahmani (INHA) with contributions from Sam Bardaouil, Omezine Benchikha, Ali Benmakhlouf, Hassan Darsi, Amine El Gotaibi, Ayoub El Mouzaine, Simohammed Fettaka, Ahmad Hosni, Lara Khaldi, Mustapha Laarissa, Esmail Nashif, Jacques Rancière, Youssef Wahboun, and Farid Zahi.

In recent years, North African and Middle Eastern artists have achieved unprecedented visibility on the international scene, even as structures for art production, education, and dissemination remain insufficient or lacking. Critical efforts to come to terms with this situation are still few and far between, notably in the Arabic language.

Via its library and translation programs, Dar al-Ma’mûn is endeavoring to make resources available, in Morocco, for studying visual culture in the Maghreb and the Middle-East.

Via its “Arts and globalization” program, the INHA contributes to international initiatives encouraging the dissemination of non-western critical and editorial practices.

INHA and Dar al-Ma’mûn are starting a collaboration whose first step will be a symposium held in Marrakech on December 12 and 13, under the title “Art Practice and Reseach in North Africa and the Middle-East: Resources and Translations.”

Artists, curators, art historians, and philosophers from Morocco, Tunisia, Egypt, Lebanon, Palestine, and France will tackle the articulation of aesthetics and politics in the Arab World, as well as the material and intellectual conditions in which creative work and research on the visual are carried out in the MENA region.

The keynote speaker is Jacques Rancière, whose two books Le spectateur émancipé and Le partage du sensible are currently being translated into Arabic at Dar al-Ma’mûn.

Entrance is free.

For information, please contact the Dar al-Ma’mûn library:

Program

Talks will be in Arabic (Ar), English (Eng) or French (Fr)

Wednesday 12 December

7pm Emancipation, between Aesthetics and Politics
Jacques Rancière in conversation with Ali Benmakhlouf and Omar Berrada (Fr)

Thursday 13 December

9am Morning welcome in the library

9:30am – 11am Art Histories: Arab Sources and Resources,

  • Zahia Rahmani: Art/Middle-East – Reading a Digital Bibliogaphy (Fr)
  • Sam Bardaouil: Dirty Dark Loud and Hysteric – The Art and Liberty Group and the Disentangling of Art from Nationalism (Eng)
  • Lara Khaldi: Contemporary Art Term Glossary Project (Ar/Eng)
  • Moderated by Omar Berrada

11:15am – 1pm Translating Aesthetics

  • Open workshop on the Arabic translation of key concepts of aesthetics, with texts by Jacques Rancière as a starting point.
  • Workshop led by Ayoub El Mouzaine and Farid Zahi (Ar/Fr/Eng)

2:30pm – 4pm Resource-less Art? On Being an Artist in Morocco

  • Roundtable with Hassan Darsi, Simohammed Fettaka and Amine El Gotaibi
  • Moderated by Zahia Rahmani and Omar Berrada (Fr/Ar)

4:30pm – 6:30pm Politics of Art in North Africa and the Middle East

  • Esmail Nashif: The Art of Disappearance – Palestinian Variations (Ar)
  • Ahmad Hosni: Language Politics on the Egyptian Art Scene (Ar/Eng)
  • Youssef Wahboun: Aesthetics of Disaster in Morocco – Bouchta El Hayani and André Elbaz (Fr)
  • Omezine Ben Chikha: What Does it Mean to Share the Sensible? On Art and Democracy (Ar)
  • Moderated by Mustapha Laarissa

7pm – 8:30pm Screening of the DVD Project – Moroccan selection

  • Videos by Mohamed Arejdal, Younes & Zouheir Atbane, Salma Cheddadi, Amine El Gotaibi, Simohammed Fettaka, Mohssin Harraki, Rehab Kinda, Mehdi Georges Lahlou, Omar Mahfoudi, Said Rais.
  • Screening introduced by Simohammed Fettaka, with Amine El Gotaibi.

Speakers

  • Sam Bardaouil art historian and curator, artistic director of Art Reoriented
  • Omezine Ben Chikha Meskini professor of philosophy at the University of Tunis
  • Ali Benmakhlouf professeur of philosophy at Paris 12 University
  • Omar Berrada critic, translator, director of the Dar al-Ma’mûn library
  • Hassan Darsi artist, co-founder of ‘La Source du lion’, Casablanca
  • Amine El Gotaibi artist, Tetuan
  • Ayoub El Mouzaine librarian at Dar al-Ma’mûn, translator of Jacques Rancière’s Le Partage du sensible
  • Simohammed Fettaka artist, Tangier
  • Ahmad Hosni artist, Barcelona/Cairo
  • Lara Khaldi curator, director of the Khalil Sakakini Cultural Center in Ramallah
  • Mustapha Laarissa professeur of philosophy at Cadi Ayyad University, Marrakech
  • Esmail Nashif anthropolist, writer, and art critic, Palestine
  • Zahia Rahmani writer and art historian, director of the « Arts and Globalization » program at l’INHA, Paris
  • Jacques Rancière Emeritus professor of philosophy at the University of Paris 8
  • Youssef Wahboun professor of art history at Mohamed V University, Rabat
  • Farid Zahi researcher at the IURS (Rabat), translator of Jacques Rancière’s Le Spectateur émancipé

Sponsors

This event would not have been possible without the sponsorship of the Institut Français du Maroc, and of the Fellah Hotel.

 

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Past is Present: Settler Colonialism Matters!

On 5-6 March 2011, the Palestine Society at the School of Oriental and African Studies (SOAS) in London will hold its seventh annual conference, "Past is Present: Settler Colonialism in Palestine." This year`s conference aims to understand Zionism as a settler colonial project which has, for more than a century, subjected Palestine and Palestinians to a structural and violent form of destruction, dispossession, land appropriation and erasure in the pursuit of a new Jewish Israeli society. By organizing this conference, we hope to reclaim and revive the settler colonial paradigm and to outline its potential to inform and guide political strategy and mobilization.

The Israeli-Palestinian conflict is often described as unique and exceptional with little resemblance to other historical or ongoing colonial conflicts. Yet, for Zionism, like other settler colonial projects such as the British colonization of Ireland or European settlement of North America, South Africa or Australia, the imperative is to control the land and its resources -- and to displace the original inhabitants. Indeed, as conference keynote speaker Patrick Wolfe, one of the foremost scholars on settler colonialism and professor at La Trobe University in Victoria, Australia, argues, "the logic of this project, a sustained institutional tendency to eliminate the Indigenous population, informs a range of historical practices that might otherwise appear distinct--invasion is a structure not an event."[i]

Therefore, the classification of the Zionist movement as a settler colonial project, and the Israeli state as its manifestation, is not merely intended as a statement on the historical origins of Israel, nor as a rhetorical or polemical device. Rather, the aim is to highlight Zionism`s structural continuities and the ideology which informs Israeli policies and practices in Palestine and toward Palestinians everywhere. Thus, the Nakba -- whether viewed as a spontaneous, violent episode in war, or the implementation of a preconceived master plan -- should be understood as both the precondition for the creation of Israel and the logical outcome of Zionist settlement in Palestine.

Moreover, it is this same logic that sustains the continuation of the Nakba today. As remarked by Benny Morris, “had he [David Ben Gurion] carried out full expulsion--rather than partial--he would have stabilised the State of Israel for generations.”[ii] Yet, plagued by an “instability”--defined by the very existence of the Palestinian nation--Israel continues its daily state practices in its quest to fulfill Zionism’s logic to maximize the amount of land under its control with the minimum number of Palestinians on it. These practices take a painful array of manifestations: aerial and maritime bombardment, massacre and invasion, house demolitions, land theft, identity card confiscation, racist laws and loyalty tests, the wall, the siege on Gaza, cultural appropriation, and the dependence on willing (or unwilling) native collaboration and security arrangements, all with the continued support and backing of imperial power. 

Despite these enduring practices however, the settler colonial paradigm has largely fallen into disuse. As a paradigm, it once served as a primary ideological and political framework for all Palestinian political factions and trends, and informed the intellectual work of committed academics and revolutionary scholars, both Palestinians and Jews.

The conference thus asks where and why the settler colonial paradigm was lost, both in scholarship on Palestine and in politics; how do current analyses and theoretical trends that have arisen in its place address present and historical realities? While acknowledging the creativity of these new interpretations, we must nonetheless ask: when exactly did Palestinian natives find themselves in a "post-colonial" condition? When did the ongoing struggle over land become a "post-conflict" situation? When did Israel become a "post-Zionist" society? And when did the fortification of Palestinian ghettos and reservations become "state-building"?

In outlining settler colonialism as a central paradigm from which to understand Palestine, this conference re-invigorates it as a tool by which to analyze the present situation. In doing so, it contests solutions which accommodate Zionism, and more significantly, builds settler colonialism as a political analysis that can embolden and inform a strategy of active, mutual, and principled Palestinian alignment with the Arab struggle for self-determination, and indigenous struggles in the US, Latin America, Oceania, and elsewhere.

Such an alignment would expand the tools available to Palestinians and their solidarity movement, and reconnect the struggle to its own history of anti-colonial internationalism. At its core, this internationalism asserts that the Palestinian struggle against Zionist settler colonialism can only be won when it is embedded within, and empowered by, the broader Arab movement for emancipation and the indigenous, anti-racist and anti-colonial movement--from Arizona to Auckland.

SOAS Palestine Society invites everyone to join us at what promises to be a significant intervention in Palestine activism and scholarship.

For over 30 years, SOAS Palestine Society has heightened awareness and understanding of the Palestinian people, their rights, culture, and struggle for self-determination, amongst students, faculty, staff, and the broader public. SOAS Palestine society aims to continuously push the frontiers of discourse in an effort to make provocative arguments and to stimulate debate and organizing for justice in Palestine through relevant conferences, and events ranging from the intellectual and political impact of Edward Said`s life and work (2004), international law and the Palestine question (2005), the economy of Palestine and its occupation (2006), the one state (2007), 60 Years of Nakba, 60 Years of Resistance (2009), and most recently, the Left in Palestine (2010).

For more information on the SOAS Palestine Society 7th annual conference, Past is Present: Settler Colonialism in Palestine: www.soaspalsoc.org

SOAS Palestine Society Organizing Collective is a group of committed students that has undertaken to organize annual academic conferences on Palestine since 2003.

 


[i] Patrick Wolfe, Settler Colonialism and the Transformation of Anthropology: The Politics and Poetics of an Ethnographic Event, Cassell, London, p. 163

[ii] Interview with Benny Morris, Survival of the Fittest, Haaretz, 9. January 2004, http://cosmos.ucc.ie/cs1064/jabowen/IPSC/php/art.php?aid=5412