Syria Ten Years On: Art, Journalism, and the Struggle over Narrative (Video)

Syria Ten Years On: Art, Journalism, and the Struggle over Narrative (Video)

Syria Ten Years On: Art, Journalism, and the Struggle over Narrative (Video)

By : Jadaliyya Reports

This panel marks the tenth anniversary of the Syrian uprising with a conversation among three artist-journalist-curators who participated in the exhilarating initial days of the Syrian revolution. The speakers discussed the struggle over narrativizing the revolutionary past and producing a sense of transformative ongoingness in the present, the relevance of different forms and genres of artistic and journalistic expression (specifically, documentary and feature filmmaking, visual arts, theater, curation, reportage, and cultural critique), and more general reflections on the relationships between aesthetics and radical politics.

Speakers include Mohammad Al Attar, a playwright and dramaturge; Alma Salem, a curator and cultural advisor; and Lina Sinjab, a journalist and filmmaker. 3CT co-director and Jadaliyya co-editor Lisa Wedeen will moderate the discussion.

Presented by the Chicago Center for Contemporary Theory (3CT) and co-sponsored by the Arab Studies Institute and the Ten Years On: Mass Protests and Uprisings in the Arab World Project.

This event is part of the Ten Years on Project


Panelists


Mohammad Al Attar is a Syria Playwright who has been dealing with the Syrian Revolution and the resulting conflicts since 2011. Al Attar was born in Damascus in 1980. At university, he completed a degree in literature, followed by a master’s degree in applied theatre at London’s Goldsmiths University. Today, he is considered an important chronicler of war-torn Syria and lives in Berlin. Shortly before the outbreak of protests in Syria, he wrote the play Withdrawal – a chamber play staged in a small Damascus apartment where a couple live and find refuge from the social control mechanisms of society. In 2011, after the first large wave of arrests in the country, his play Could You Please Look into the Camera? followed. In it, torture experiences are relayed directly into a camera. The pieces Withdrawal (2007)Look at the Streets... This is What Hope Looks Like (2011), Online (2011), Could You Please Look into the Camera? (2012) A Chance Encounter (2013), Youssef Was Here (2013) have been shown on various international stages and festivals. His play While I was Waiting, premiered at the Kunsten Festival, Brussels in 2016, and was selected for the official programme of the 70th edition of Festival D’Avignon.

Alma Salem is an independent curator and cultural advisor with 22 years of knowledge and expertise in producing hundreds of cultural projects across all arts forms. Her work has spanned international cultural relationsheritage protection , visual, digital and new media artsperforming artscultural policiescultural Leadershipcreative economies, industries and entrepreneurshiparts for development of communities and social change, arts in conflict, arts strategies, management, monitoring and evaluation, coaching and mentorship for artists and cultural institutions, capacity building, training and educational curricula designarts grants management and judging and cultural translations. She is a recognized cultural expert, working with the British council from 2006 to 2015 in a variety of positions, including 5 years of leading the Middle East North Africa regional arts programmes, overseeing over 800 arts projects across 17 Arab countries—from the Levant to North Africa and the Gulf regions, to the U.K. and Europe during Arab Spring, with a co-curated exhibition entitled Syria Third Space. In 2008, she was a national expert on the EU ISMF-ICT (Institutional and Sector Modernization Facility) project (funded by the European Commission), a software development and technical assistant for e-Government and ICT Standards Applications, where she designed the rehabilitation, branding, and launching of the first e-government CSC in Syria (at the Syria Citizen center). From 1995 to 2006 she worked at the IFPO The Near East French Institute as the cultural resources manager. Here, she created the “First Digital Levant Bank of Images,” a ten-year project that aimed to preserve the visual heritage of the Levant in partnership with EU, France (CNRS) and different museums. She has also worked in an advisory capacity to archaeologists and historians, and, in 2000, she published the book “Photographies du Levant”. Providing arts management consultancies, coaching, and mentorship to artists and cultural institutions, she is currently an instructor to KWN Education, an online learning platform for digital arts and design, and a fellow of DEVOS Institute For Arts Management at Maryland University in Washington DC. She is the Founder of Alma Salem Bureau for Curation and Cultural Advisory, and Syria Sixth Space Contemporary Arts Touring Curatorial platform.

Lina Sinjab is a Syrian journalist and Middle East correspondent at the BBC. In 2013 she covered the Syria peace talks in Geneva as the BBC’s World Affairs reporter and before that, from 2007, she was the BBC’s Damascus-based correspondent. Lina has extensively covered the Syrian uprising since its beginnings in 2011 and continues to follow developments in Syria and the region.

Lisa Wedeen (Moderator) is the Mary R. Morton Professor of Political Science and the College and the Co-Director of the Chicago Center for Contemporary Theory at the University of Chicago. She is also Associate Faculty in Anthropology and the Co-Editor of the University of Chicago Book Series, “Studies in Practices of Meaning.” Her publications include three books: Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria (1999; with a new preface, 2015); Peripheral Visions: Publics, Power and Performance in Yemen (2008); and Authoritarian Apprehensions: Ideology, Judgment, and Mourning in Syria (2019). Among her articles are the following: “Conceptualizing ‘Culture’: Possibilities for Political Science” (2002); “Concepts and Commitments in the Study of Democracy” (2004), “Ethnography as an Interpretive Enterprise” (2009), “Reflections on Ethnographic Work in Political Science” (2010), “Ideology and Humor in Dark Times: Notes from Syria” (2013), and “Scientific Knowledge, Liberalism, and Empire: American Political Science in the Modern Middle East” (2016). She is the recipient of the David Collier Mid-Career Achievement Award and an NSF fellowship, and is currently completing an edited volume with Joseph Masco, entitled Conspiracy/Theory.

Ten Years On
Mass Protests and Uprisings in the Arab World


This event is part of the Ten Years on Project, a year-long series of events, reflections, and conversations created to commemorate the tenth anniversary of the start of the Arab uprisings in Tunisia. We launched this project in order to interrogate and reflect on the uprisings, with the hope of producing resources for educators, researchers, students, and journalists to understand the last decade of political upheaval historically and in the lived present.

Watch all of our previous Ten Years on events here:

 
 
 
 
 
Organizers: Arab Studies Institute, Princeton’s Arab Barometer, George Mason’s Middle East and Islamic Studies Program.

Co-Sponsors: Georgetown University (Center for Contemporary Arab Studies), American University of Beirut (Asfari Institute), Arab Council for the Social Sciences, Brown University (Center for Middle East Studies), UC Santa Barbara (Center for Middle East Studies), Harvard University (Center for Middle East Studies), University of Exeter (Institute of Arab and Islamic Studies), Birzeit University (Department of Political Science), University of Chicago (Chicago Center for Contemporary Theory), Stanford University (Program on Arab Reform and Democracy, Stanford University), AUC Affiliates, Georgetown University (Qatar) Center For International And Regional Studies (CIRS), The Global Academy (MESA Affiliated), Institute of Palestine Studies.


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Past is Present: Settler Colonialism Matters!

On 5-6 March 2011, the Palestine Society at the School of Oriental and African Studies (SOAS) in London will hold its seventh annual conference, "Past is Present: Settler Colonialism in Palestine." This year`s conference aims to understand Zionism as a settler colonial project which has, for more than a century, subjected Palestine and Palestinians to a structural and violent form of destruction, dispossession, land appropriation and erasure in the pursuit of a new Jewish Israeli society. By organizing this conference, we hope to reclaim and revive the settler colonial paradigm and to outline its potential to inform and guide political strategy and mobilization.

The Israeli-Palestinian conflict is often described as unique and exceptional with little resemblance to other historical or ongoing colonial conflicts. Yet, for Zionism, like other settler colonial projects such as the British colonization of Ireland or European settlement of North America, South Africa or Australia, the imperative is to control the land and its resources -- and to displace the original inhabitants. Indeed, as conference keynote speaker Patrick Wolfe, one of the foremost scholars on settler colonialism and professor at La Trobe University in Victoria, Australia, argues, "the logic of this project, a sustained institutional tendency to eliminate the Indigenous population, informs a range of historical practices that might otherwise appear distinct--invasion is a structure not an event."[i]

Therefore, the classification of the Zionist movement as a settler colonial project, and the Israeli state as its manifestation, is not merely intended as a statement on the historical origins of Israel, nor as a rhetorical or polemical device. Rather, the aim is to highlight Zionism`s structural continuities and the ideology which informs Israeli policies and practices in Palestine and toward Palestinians everywhere. Thus, the Nakba -- whether viewed as a spontaneous, violent episode in war, or the implementation of a preconceived master plan -- should be understood as both the precondition for the creation of Israel and the logical outcome of Zionist settlement in Palestine.

Moreover, it is this same logic that sustains the continuation of the Nakba today. As remarked by Benny Morris, “had he [David Ben Gurion] carried out full expulsion--rather than partial--he would have stabilised the State of Israel for generations.”[ii] Yet, plagued by an “instability”--defined by the very existence of the Palestinian nation--Israel continues its daily state practices in its quest to fulfill Zionism’s logic to maximize the amount of land under its control with the minimum number of Palestinians on it. These practices take a painful array of manifestations: aerial and maritime bombardment, massacre and invasion, house demolitions, land theft, identity card confiscation, racist laws and loyalty tests, the wall, the siege on Gaza, cultural appropriation, and the dependence on willing (or unwilling) native collaboration and security arrangements, all with the continued support and backing of imperial power. 

Despite these enduring practices however, the settler colonial paradigm has largely fallen into disuse. As a paradigm, it once served as a primary ideological and political framework for all Palestinian political factions and trends, and informed the intellectual work of committed academics and revolutionary scholars, both Palestinians and Jews.

The conference thus asks where and why the settler colonial paradigm was lost, both in scholarship on Palestine and in politics; how do current analyses and theoretical trends that have arisen in its place address present and historical realities? While acknowledging the creativity of these new interpretations, we must nonetheless ask: when exactly did Palestinian natives find themselves in a "post-colonial" condition? When did the ongoing struggle over land become a "post-conflict" situation? When did Israel become a "post-Zionist" society? And when did the fortification of Palestinian ghettos and reservations become "state-building"?

In outlining settler colonialism as a central paradigm from which to understand Palestine, this conference re-invigorates it as a tool by which to analyze the present situation. In doing so, it contests solutions which accommodate Zionism, and more significantly, builds settler colonialism as a political analysis that can embolden and inform a strategy of active, mutual, and principled Palestinian alignment with the Arab struggle for self-determination, and indigenous struggles in the US, Latin America, Oceania, and elsewhere.

Such an alignment would expand the tools available to Palestinians and their solidarity movement, and reconnect the struggle to its own history of anti-colonial internationalism. At its core, this internationalism asserts that the Palestinian struggle against Zionist settler colonialism can only be won when it is embedded within, and empowered by, the broader Arab movement for emancipation and the indigenous, anti-racist and anti-colonial movement--from Arizona to Auckland.

SOAS Palestine Society invites everyone to join us at what promises to be a significant intervention in Palestine activism and scholarship.

For over 30 years, SOAS Palestine Society has heightened awareness and understanding of the Palestinian people, their rights, culture, and struggle for self-determination, amongst students, faculty, staff, and the broader public. SOAS Palestine society aims to continuously push the frontiers of discourse in an effort to make provocative arguments and to stimulate debate and organizing for justice in Palestine through relevant conferences, and events ranging from the intellectual and political impact of Edward Said`s life and work (2004), international law and the Palestine question (2005), the economy of Palestine and its occupation (2006), the one state (2007), 60 Years of Nakba, 60 Years of Resistance (2009), and most recently, the Left in Palestine (2010).

For more information on the SOAS Palestine Society 7th annual conference, Past is Present: Settler Colonialism in Palestine: www.soaspalsoc.org

SOAS Palestine Society Organizing Collective is a group of committed students that has undertaken to organize annual academic conferences on Palestine since 2003.

 


[i] Patrick Wolfe, Settler Colonialism and the Transformation of Anthropology: The Politics and Poetics of an Ethnographic Event, Cassell, London, p. 163

[ii] Interview with Benny Morris, Survival of the Fittest, Haaretz, 9. January 2004, http://cosmos.ucc.ie/cs1064/jabowen/IPSC/php/art.php?aid=5412