Samuel Dolbee, Locusts of Power: Borders, Empire, and Environment in the Modern Middle East (New Texts Out Now)

Samuel Dolbee, Locusts of Power: Borders, Empire, and Environment in the Modern Middle East (New Texts Out Now)

Samuel Dolbee, Locusts of Power: Borders, Empire, and Environment in the Modern Middle East (New Texts Out Now)

By : Samuel Dolbee

Samuel Dolbee, Locusts of Power: Borders, Empire, and Environment in the Modern Middle East (Cambridge University Press, 2023).

Jadaliyya (J): What made you write this book?

Samuel Dolbee (SD): Historians are of course a product of historical circumstances, and I am no different. I conceived of, researched, and wrote this book in the shadow of the Iraq War, the 2008 financial crisis, and the Arab Spring and Gezi Park protests. I wanted to think about the environment as a material force in human history, I wanted to think of how it shaped/was shaped by human migration, and I wanted to think of how people used the environment as a means and object of protest, rebellion, and violence. I was also responding to a scholarship on the end of the Ottoman Empire and beginning of something else that I saw as divided—divided temporally between the Ottoman and post-Ottoman periods, divided spatially between different Ottoman provinces or post-Ottoman states. So in writing an environmental history of the Jazira region I was attempting to write an integrative account of the empire-to-nation story, one that was rooted in an environment that crossed borders and, in doing so, accounted for what borders meant in people’s everyday lives.

I also attend to how the fate of locusts was closely linked to the fate of humans, among them Arab and Kurdish nomads, Armenian deportees, and Assyrian refugees.

J: What particular topics, issues, and literatures does the book address?

SD: The book is an environmental history of the Jazira region—an arid area stretching roughly between the Tigris and the Euphrates at the foot of the Anatolian plateau, which is today northeast Syria, southeast Turkey, and northwest Iraq. I tell this history by focusing on the region’s distinctive locusts. I trace how they were essentially eradicated by the mid-twentieth century and explain how that allowed for an environmental transformation, as a land once denigrated as a useless desert became Syria’s most productive agricultural lands in the twentieth century. Throughout, I also attend to how the fate of locusts was closely linked to the fate of humans, among them Arab and Kurdish nomads, Armenian deportees, and Assyrian refugees. It was not simply that these different people were often compared to locusts by others. It was also that their lives were profoundly shaped by them: they fled to the edges of cities when locusts ate their pastures, they ate locusts when they had nothing left to eat, they watched helplessly as locusts devastated their cotton crops, and, by the 1930s, they suffered from the chemicals sprayed to kill locusts. What this last example meant was that people compared to locusts also were hurt by pesticides intended to kill locusts, the figurative and the real converging in painful ways. Thus through locusts and these people, I account for how the Jazira transformed from a site of nomadic settlement campaigns in the 1870s, to the killing fields of the Armenian genocide during World War I, to the most agriculturally productive region of Syria in the twentieth century, and, finally, to the heartland of ISIS—briefly—in the last decade.

J: How does this book connect to and/or depart from your previous work?

SD: It is my first book, so I suppose I can only say (or, better, hope) that it is a departure from the abysmal creative writing I did in my younger years.

J: Who do you hope will read this book, and what sort of impact would you like it to have?

SD: A challenge I had in the early stages of my research was to simply describe the place I was researching. Most people did not know what the Jazira was. And I often invited blank stares and a change of subject when I used the accurate yet unwieldy characterization of “the hinterlands of Aleppo, Diyarbekir, and Mosul.” At the fragile early period of research this sort of response could be crushing. But part of what sustained me was that other times, too, people—typically with some family connection to the place of the Jazira—knew immediately what I was talking about. And they would ask startlingly revealing questions, questions about Rojava, questions about the Armenian genocide. These were far from neutral topics to bring up with a stranger in Turkey then or now. I hope people from the Jazira can see something of their worlds and their families’ worlds in this book. I should note, too, that although peripheral, the Jazira has a way of bringing in important people. Mark Sykes, Ziya Gökalp, Gertrude Bell, and Midhat Pasha are just a few of the famous people who ended up there, and writing about it.

On a scholarly level, there of course has been huge growth in recent years in the field of environmental history of southwest Asia and north Africa. There is also justified skepticism of the field, given the long legacy of racist, environmentally deterministic scholarship that seems to align with it. What I hope my book shows—and what I know the work of many colleagues shows—is how connected environmental history, social history, and political economy are. We can argue about agency of locusts all we want, but peasants in 1930s Syria had little doubt about whether locusts could powerfully affect their lives, and they had very sophisticated critiques of the government’s inability to help them in this regard. It is the assumed disconnection of human politics from nonhuman nature (a disconnection we assume at our peril!) that shapes these views, and this itself is a historic development. I have also been inspired and in awe of the brave and meticulous work of many scholars on the history of the Armenian genocide. Part of what I am trying to do with the book is join them in integrating this event into regional history—as opposed to an event that falls into a sort of temporal black hole between the Ottoman Empire and its end and a spatial one in the often forgotten Jazira region. So I wanted to examine what the genocide looks like, and what unexpected episodes of resistance and survival appear if we look at the Jazira before, during, and after the genocide rather than just as an endpoint. 

Finally, I will add that in this series an earlier participant whom I admire described how his work was a product above all of his “undisciplined reading habits.” I do not think I can boast of being a reader of such eclectic scope as he, but I do feel similarly in that some of the books that most shaped my thinking were about Japan, the Central Valley of California, and Ukraine, stretching across environmental history, political economy, critical geography, history of science, and borderlands history. If any undisciplined readers out there with no interest in the Ottoman Empire find this book and like it, I will be very grateful. 

J: What other projects are you working on now?

SD: I thought I was working on disease—and I still have a project fermenting there—but I am also slowly realizing I have something on the way about plants and trees and migration. A few years ago I was sitting with a friend in a town by the Euphrates and we were reading about the history of the town on our phones and its legacy of silk production and, hence, mulberry trees (the leaves of which were used to feed the silkworms). I looked up and realized we were sitting under mulberry trees, and mulberries littered the sidewalk all around us. I think part of what attracts me to these topics is the timescale of trees—they outlive their original owners and planters in some cases, and the same trees from the past might even remain alive today. So I am interested in, for example, how the grapevine-pest phylloxera in the Mediterranean led to the expansion of grape cultivation and raisin production around Izmir, then its demise, and then how the Greek-Turkish population exchanges led to refugees bringing their grape vines with them elsewhere. Or the centrality of poplars and eucalyptus trees to villages built for genocide survivors by an Ottoman Armenian agronomist. Or how the “Antep pistachio” became invented as a product of the Republic of Turkey. It also means that, in addition to filling up my phone with pictures of historical documents, I also now, thankfully, have a lot of tree pictures. And more excuses to eat grapes and pistachios as a research experience.

J: Should we judge this book by its beautiful cover? 

SD: Yes, please! It is all thanks to the work of the brilliant graphic designer and illustrator, Meredith Sadler. From a laughably simplistic stick-figure rendering of locusts that I drew, Meredith created something I find quite stunning. She additionally did all of the maps in the book. Also noteworthy is that the lower left of the cover reveals small hills known as tell. These were not naturally occurring geological formations but rather the accumulation of dirt on the ruins of ancient cities. European travelers and Ottoman officials alike saw these hills and believed they meant the Jazira could be a densely populated agrarian powerhouse for the empire. What they did not know was that locusts were actually using these very same hills for different purposes: to both procreate and lay eggs. I am glad the detail made it onto the cover, because I think it powerfully captures the complicated relationships embedded in environmental history that bring together both cultural and material histories. Locusts were using an ancient human infrastructure to feast on the expanding grain cultivation of the Ottoman Empire. The hills that made humans dream of a different future for this region were the same hills that locusts were using to prevent that future.

 

Excerpt from the book (from the Introduction, pp. 1-9)

“The desert journey continues very boringly,” wrote a reporter for the Istanbul newspaper Akşam in the summer of 1928. The train was headed eastward from the outskirts of the Syrian city of Aleppo. “To pass for hours in the middle of a brown expanse amid suffocating heat in a train car that is always shaking is,” the reporter complained, “unpleasant.” It would get worse. Suddenly, a droning insect flew into the train car. And then another. They were locusts. Someone closed the windows. But the insects continued to collide into the side of the train “incessantly.” In their percussive onslaught, the reporter might have heard the rhythm of the region’s recent history. After all, it was these creatures that had helped make a landscape that witnessed nomadic sedentarization campaigns, the Armenian genocide, and interwar refugee resettlement. The train hurtled onward.

The most common locust in the region was the Moroccan locust (Dociostaurus marocannus; Turkish: Fas çekirgesi; Arabic: al-jarad al-marrakishi). The name derived from where a Swedish entomologist first “discovered” the creature. In reality, the insects lived in a wide range of places, from Morocco to Central Asia. In most years, they remained harmless grasshoppers, but sometimes – because of a mix of precipitation, population density, and weather – they accelerated into what is known as their “gregarious” phase. Their population exploded, and their physiology changed. They swarmed and ranged up to 200 kilometers (124 miles). They blotted out the sun and consumed nearly everything in their path. In the words of one observer, they left nothing behind but “black stumps and their own excreta.” They were particularly destructive in zones of expanding cultivation, where planted fields existed alongside their preferred desert and steppe egg-laying grounds. In fact, the insects seemed so connected to human cultivation that elsewhere they were referred to in Arabic as the “human locust” (al-jarad al-adami). 

Unbeknownst to the bored reporter on the train and overshadowed by infamous figures such as Sykes and Picot, the locusts on the railway in 1928 were in their own way etching borders. In their flight, destruction, and perhaps even excrement, they mapped out an agroecology known as the Jazira – now largely forgotten to those who live outside of it – that stretched from the Tigris to the Euphrates at the foot of the Anatolian plateau. Extending between the cities of Aleppo, Diyarbekir, and Mosul, the Jazira was arid yet fertile, straddling the line where rain-fed agriculture was possible. For centuries, the Jazira functioned as an administrative unit. But when the Ottoman Empire worked to transform the region in the mid-nineteenth century, it attempted to do so through provinces that divided the connected landscape. When locusts moved across the Jazira, they did so beyond the bounds of provincial borders and often beyond the control of state officials.

Border-crossing movement persisted after the end of the Ottoman Empire, when the insects – and the railway – ensured that Syria and Turkey were curiously linked. The railway had been built in the waning years of the Ottoman Empire with the aim of connecting Berlin and Baghdad. After the Ottoman Empire dissolved in late 1922, a number of successor states emerged in its place, including the Republic of Turkey and the French Mandate of Syria under the neocolonial League of Nations. In the process of dividing once-unified imperial holdings, French and Turkish officials sought a borderline to separate Turkey and Syria and the Ottoman past from the post-Ottoman present. They found such a demarcation in the railway. As the railway moved east of Aleppo, it became the actual border between the countries, Syria to the south of the line and Turkey to the north. Officials thus transformed an infrastructural project intended to rejuvenate the Ottoman Empire into the actual dividing line between post-Ottoman states. Locusts paid little heed to these divisions. In the key of one map depicting the insects’ cross-border range, officials had replaced the symbol denoting the railroad. In lieu of the Ottoman infrastructure-turned-cleaver of post-Ottoman states was the thick blue line denoting the range of the locusts. What the map characterized as “the border of the winged” extended from Syria into southeast Turkey.

As locusts moved across Ottoman and post-Ottoman borders in the late nineteenth and early twentieth centuries, they animated a mobile ecology entangled with people, including Arab and Kurdish nomads, Armenian deportees, and Assyrian refugees. The groups occupied different relationships to states, with some objects of reform and others targets of destruction. Yet in the Jazira, all of these people encountered locusts, which they variously fled, feared, and, in some cases, ate. They were also connected culturally. In fact, all of these groups found themselves compared to the insects at one point or another. Locusts of power, then, refers to the way that locusts shaped not only the “everlasting nature-imposed condition of human existence,” as Marx put it, but also the imagination of people in the Jazira. The play on the phrase “locus of power,” moreover, alludes to the significance of the Jazira’s place on political and environmental margins for this kind of power.

Indeed, in moving on the edge, both locusts and these groups of mobile people sometimes managed to evade state officials. As a result, locusts and the many moving people of the Jazira might seem marginal in the sense of being unimportant. But in fact, they were marginal in the literal sense of being on the edge of desert and non-desert, one province or nation-state and another. And this place gave them power, similar to what Stephanie Camp, borrowing from Edward Said, has termed a “rival geography.” While this position allowed them to carve out some measure of autonomy, these forms of resistance or agency did not exist separately from the structures of power against which they were articulated. Like the Pacific coast of Colombia, the wintertime snows of New England, the small plots of postrevolutionary rural Haiti, or the floating coast of Beringia, the Jazira was a space that simultaneously protected and limited its people. Its landscapes could be used as a weapon, but the mix of arid ecology and political borders also made the Jazira a place into which people might escape.

But it would not remain so. If locusts made the region seem a wasteland to outsiders, the Jazira’s status also invited violent efforts at demographic engineering. In 1858, Ottoman officials could do little against locusts but compel peasants to collect the insects’ eggs and pray that a Sufi-blessed holy water might attract the insectivorous starling. By 1939, people all across the Jazira could realistically imagine a world without locusts thanks to chemical insecticides and expanded cultivation. Across this same time period, the Jazira shifted from being the site of nomadic sedentarization campaigns to the killing fields of the Armenian genocide to the location of interwar refugee resettlement. With the virtual eradication of locusts, the region known for its verdant grasses and flocks of sheep became some of the region’s most productive cotton- and wheat-growing lands in the twentieth century. At the same time, its people also became defined and targeted in relation to nationalist projects in new ways. Monocrop agriculture and minefields fortified the border that locusts – and people – had once easily crossed. Nevertheless, the Jazira and the power of its place on the edge would not be gone forever. Its particular political ecology has been the scene for various imaginings of Armenian, Assyrian, or Kurdish national homes, and in 2014 even became the heartland of the so-called Islamic State. Though often presented as outside of history, these recent events are connected to the region’s legacy of agrarian development, state violence, and popular resistance.

Natalie Koch, Arid Empire: The Entangled Fates of Arizona and Arabia (New Texts Out Now)

Natalie Koch, Arid Empire: The Entangled Fates of Arizona and Arabia (Verso Books, 2022).

Jadaliyya (J): What made you write this book?

Natalie Koch (NK): As a US political geography professor for over ten years, I have focused nearly all of my research on international contexts—first I was studying Central Asian countries that were once part of the Soviet Union and then the Gulf countries of the Arabian Peninsula. The places I spent so many years traveling to—like Kazakhstan, Turkmenistan, the United Arab Emirates, and Qatar—were all deserts. I grew up in Tucson, Arizona—the heart of the Sonoran desert—so I was always filtering those experiences through my understanding of the desert. I saw so many similarities between these three different arid regions and how people related to and understood desert landscapes. But I never reflected on the direct links between the places until I heard about the Saudi dairy company, Almarai, acquiring an alfalfa farm in Arizona. I was shocked by the news itself, but at the same time, I realized that deserts are not just cultural and natural landscapes to compare, that they actually have rich histories of direct political connection and exchange. So this was the initial spark that sent me tumbling through dozens of stories, past and present, about how the two deserts I know best—Arizona’s Sonoran desert and the Arabian desert—are directly linked. And very quickly, I found out that there was a long, long history that had never been told in the comprehensive way that I try to do in the book.

This kind of circularity is something I saw over and over again with this project—a seemingly modern point of connection actually having much deeper roots.

J: What did you uncover about the Saudi farm and Saudi Arabia’s historical connections with Arizona?

NK: The dairy company Almarai that bought that alfalfa farm in Arizona in 2014 is actually headquartered just outside Riyadh, in a place called Al Kharj. This had been a favorite spot for the first Saudi king Abdulaziz, or Ibn Saud. He tried to set it up as a royal farm in the 1930s and he eventually pulled in Aramco (then the Arabian-American Oil Company, and now Saudi Aramco) to manage the operations. But in the early 1940s, an American geologist Karl S Twitchell (who had spent some of his early years mining in Arizona) convinced the US government to fund his 1942 Agricultural Mission to Saudi Arabia, ultimately aiming to develop the Al Kharj farms and curry favor with King Ibn Saud. This lay the groundwork for another US government-funded mission to send a team of Arizona farmers Al Kharj, with the idea that they could bring their special desert expertise to expand the farm and modernize Saudi agriculture.

The State Department also organized several royal family visits to tour Arizona agriculture—first in 1943 by princes Faisal and Khalid (both of whom would later become kings of Saudi Arabia) and then in 1947 by Crown Prince Saud al-Saud (who would also become king). And this second visit to Arizona was pivotal in kicking off Saudi Arabia’s dairy industry in the early 1950s; when Crown Prince Saud became King Saud and took over the Al Kharj farm, he insisted on getting a “Grade A dairy” (as he called it) like what he had seen in Arizona. Flash forward many decades and a shocking regime of state agricultural subsidies, and it is precisely this early home of Saudi dairy that Almarai and its nearly 100,000 cows are based. This kind of circularity is something I saw over and over again with this project—a seemingly modern point of connection actually having much deeper roots.

J: What particular topics, issues, and literatures does the book address? 

NK: When I originally framed this book, I felt it was relevant to many debates and literatures in the academy—including a remarkable mix of scholarship in human geography, history, environmental history, science and technology studies, anthropology, Middle East and Gulf studies, the American West, and so on. But more broadly, the book tries to explain the long history of connections between Arizona and the Arabian Peninsula through the concept of “arid empire.” When American settlers and the US military first started to colonize the place that we now know as Arizona after it was acquired in 1848, they really did not know how to deal with the desert environment. But early advocates of US expansionism thought that they could use ideas and approaches from the “Old World” deserts of the Middle East (including farming techniques, plants, and animals, etc.) to conquer the American “New World” deserts. So with “arid empire,” I am trying to capture the wide-ranging political, scientific, military, and cultural system that was needed for American settlers to take over this territory and build US empire domestically.

I also join the discussions about the global histories of empire, showing how this domestic approach to colonializing the desert southwest was made possible by importing animals, plants, and political tools from the Arabian Peninsula, as well as how this circled back to the region later. So as US empire started to expand beyond North America, Euro-American settlers and their descendants learned that they could sell this desert expertise abroad, and started to build new colonial networks in the Middle East around the stories of their common arid lands experiences. So in this sense, “arid empire” is not just about domestic empire-building, but is also about US empire-building in the Arabian Peninsula since the mid-1900s. In tracing these circuits, the book develops some of my earlier writing on desert geopolitics to show how the “desert” becomes a narrative resource. In this sense, it is less about the physical characteristics of desert environments and more about how people breathe life into their stories of the desert and how they put these stories to work through a constellation of desires and beliefs about deserts.

J: How does this book connect to and/or depart from your previous work?

NK: This book builds directly on my effort to think about Gulf geopolitics beyond mainstream approaches to conflict and fossil fuels, and to instead examine the role of science, expertise, and techno-futures in building and bolstering state power in the GCC. Part of this included my earlier research on American and American-style higher education in the Gulf, and how this helped us see US-Gulf relations in a different light. Arid Empire covers many of the same themes by focusing on the long history of the University of Arizona in connecting Arizona and the Arabian Peninsula. But what made this case especially interesting to me as a geographer was that, unlike the other US universities I had considered, the University of Arizona could not just sell a prestigious brand-name. Instead, to get an edge, they relied on selling their stories about the desert and their special arid lands expertise. But as I was surprised to discovered, this was something that had been going on for over one hundred years. So the research for this book ended up being far more historical than any other project I have done before. This historical focus, then, would be the most substantial departure for me—and one that am very excited to continue exploring in the future.

J: Who do you hope will read this book, and what sort of impact would you like it to have?

NK: I wrote this book with the hope that the broad public would read it, as well as the scholarly audiences that I am more accustomed to reaching. So I tried to keep the book as free of jargon and academic gesturing, such that it to appeal to readers with a critical eye to history and politics, but who are not formally part of the academy. Especially in my home country of the United States, scholars and the general public alike have become more concerned with the challenges of colonialism and the moral ambiguities of what it means to live in a settler colonial state, built on violence—directed not just at black, brown, and Indigenous bodies, but also the land. So besides reaching people in Arizona and the United States, I wanted to raise questions for other descendants of settler colonial projects about how we should think about “complicity” and “responsibility” today. In opening the book with my own reflections on these dilemmas, I hope Arid Empire will provoke readers to examine and excavate the everyday landscapes they personally inhabit and, often, unthinkingly reproduce.

J: What other projects are you working on now?

NK: Building from this book, I am starting a new project on the history and geopolitics of US-Gulf science diplomacy. The research for Arid Empire showed me how spatially and temporally expansive the networks of scientific and political exchange are. But to keep the book manageable, I stayed strictly focused on Arizona. Now I want to expand the scope to include other nodes of scientific exchange between the United States and the Arabian Peninsula, and to better account for vast scope of American experts, scientists, scientific institutions, foundations, and private actors who have worked to promote US-Gulf relations since the early 1900s. Like Arid Empire, I envision this project being both historical and contemporary, but I am already excited to get back to the archives soon.

 

Excerpt from the book (from Chapter 1, Double Exposure)

The U.S. colonization of North America was built on the idea that land and resources are wealth. In this imperial vision, nature was a wellspring of opportunity to be tapped by human ingenuity or simple persistence. As America’s borders moved west, empire thus unspooled through farming and homesteading as much as military conquest. The natural features of the arid West confounded European settlers, however. The unfamiliar desert ecology and climate meant that they could not easily deploy their trusted models of farming, animal husbandry, and commerce in places with limited access to water, high and variable temperatures, different soil compositions, and unique wildlife types and distributions. To address this challenge, empire-builders in early America took Middle Eastern deserts as a key source of inspiration. Jefferson Davis’ Camel Corps [funded by a 1855 Congressional appropriation to collect camels from around the Middle East and Northern Africa] was one of the earliest examples of how this worked. 

For American settlers, the challenge was not just surviving in this new environment but to transform their mere presence into something solid resembling “state power.” Taming the furthest reaches of the North American continent was about much more than mere survival. Settlers were also setting out to transform the land into a homeland. Of course, the “American” West was already someone else’s homeland. Contrary to popular American myths purveyed by advocates of U.S. expansion in the 1800s (and still today), the West was not a “virgin land.” It was and continues to be the home of diverse Indigenous communities, from the Navajo to the Apache, Zuni, Pima.

The desert landscape was not “foreign” for these communities; it was simply home. As with any home, the desert was fraught with challenges for its residents, but it was not a place to be “conquered.” Nor was it a place approached with the profit-centered logic of extraction. White settlers, by contrast, were recruited to the Southwest with promises of the great wealth that could be reaped from capitalist enterprises like commercial farming or mining, or perhaps great power from careers in the military and territorial administration. In this way, the dominant settler story about the desert was that it could be a natural and national “resource” to be exploited. But as Diné geographer Andrew Curley has succinctly put it, “Resources is just another word for colonialism.”

For most Indigenous residents, the desert was a place of community and life, a place to be sustained rather than exploited for capitalist profiteering. But this way of knowing and relating to the desert did not align with the colonial logic of extraction, so settlers actively worked to remove Native residents just as they had done elsewhere in North America. Building arid empire in the U.S. West was in part about displacing these people through genocide and war, but it was also about displacing their knowledge and ways of relating to the land. Since Anglo-European settlers did not arrive in the arid West with an understanding of the desert themselves, they drew on other sources of desert knowhow to fulfill their dreams of conquering the dry landscape of the Southwest. 

American travel writers, explorers, scientists, and government officials had long described the arid West as a local version of the Middle Eastern and North African desert – an “American Zahara” or a Biblical Orient with spiritual and physical power equal to the Old World deserts that populated the Judeo-Christian imaginations of American settlers. These authors harnessed the “Sahara” trope, Catrin Gersdorf argues, “to deactivate the existential anxieties of the pioneers and to alleviate some of their visceral reactions to the American West’s aridity, recasting it as a quasi-Oriental space containing yet unidentified but extremely valuable historical and cultural riches.” Nineteenth-century authors’ constant references to the Sahara and other Biblical landscapes helped the predominantly Christian settlers imagine the newly American desert lands as a “domestic” Orient and, in this way, somehow familiar. 

Desert landscapes terrified many would-be settlers in the arid West, but so did the Indigenous residents, with whom the U.S. Army waged overt war into the early 1900s. Displacing the people from the land was one thing, but redefining their social and cultural association with the desert was a different matter. Here again, the camel proved useful. This is vividly illustrated when the U.S. Army finally collected enough camels in Texas to run its first Camel Corps trial to assess the animals’ endurance and suitability for military purposes. The Army’s man in charge, General Edward Fitzgerald Beale, brought Hi Jolly, his fellow cameleers, and a large camel caravan together to travel from Texas to California beginning in September 1857. When the expedition stopped in Los Angeles in January 1858, the San Francisco Evening Bulletin described the scene with dramatized gusto: 

General Beale and about fourteen camels stalked into town last Friday week and gave our streets quite an Oriental aspect. It looked oddly enough to see outside of a menagerie, a herd of huge, ungainly awkward but docile animals move about in our midst with people riding them like horses and bringing up weird and far-off associations to the Eastern traveler, whether by book or otherwise of the land of the mosque, crescent or turban, of the pilgrim mufti and dervish with visions of the great shrines of the world, Mecca and Jerusalem, and the toiling throngs that have for centuries wended thither, of the burning sands of Arabia and Sahara where the desert is boundless as the ocean and the camel is the ship thereof. 

This account actively rewrites the then-dominant imaginary of U.S. West as the domain of hostile Native Americans, enlisting the camel to transform it into a whimsical vision of the Old World in the New. No longer the home of “savage tribes,” the desert was instead cast as a miniature Holy Land. Colonization was made friendlier by conceiving of it as a pilgrimage, an act of return. By directly linking to the familiar visions of Middle Eastern deserts that fill the Bible, the American deserts could start to feel more familiar too. In this way, the territories annexed in the mid-1800s could begin to be imagined as an individual settler’s home, and the arid empire as part of the homeland. For what else is home but familiar?