Bassam Haddad Interviews the Co-Editors of Jadaliyya's New Photography and Visual Narratives Page

Bassam Haddad Interviews the Co-Editors of Jadaliyya's New Photography and Visual Narratives Page

By : Photography and Audiovisual Narratives Page Editors

This past week, we launched our new Photography and Audiovisual Narratives Page! The Jadaliyya Photography and Audiovisual Narratives Page is an online space to showcase and discuss visual narratives from and/or about the Middle East and North Africa. Such critical discussions were showcased during the page's launch, particularly in the webinar film discussion of The Battle of Algiers, led by co-editor Mohamed Somji. The page serves both as a knowledge resource about visual production in the region, and also as a platform through which to expand perspectives related to how the region is represented, how communities see themselves, and one another.  Read more about the launch of the page here.

To showcase the launch of the new page, Jadaliyya Co-Editor Bassam Haddad interviewed its members on their goals in joining the page, their experience in photography and other audiovisual pursuits, and what they see the role of photography to be in narrating Middle Eastern and North African communities.

Mariam Alarab


Mariam Alarab is a documentary photographer based in Bahrain. Through her work, she seeks to interrogate existing and historical narratives and present them in nonlinear, disrupted ways. Mariam’s areas of focus include drawing connections between culture, politics, history, and the environment. Her practice blends collaboration with people and communities, and immersion in place and landscapes. 

Mariam spent her early childhood in Damascus, Syria before moving back to Bahrain in 2001. In 2019, she was selected for the Arab documentary photography program supported by the Prince Clause fund and the Magnum Foundation.

Photo by Mariam Alarab

Tanya Habjouqa


Residing in Palestine, Tanya is an artist, educator, and co-owner/member of NOOR Images. Her work stems from long-term investments and collaborative methodology, blending ethnography, investigative reportage, and intuitive sense for metaphor.

Tanya trained in journalism and anthropology with an MA in Global Media from the University of London SOAS. Her book Occupied Pleasures received accolades by both TIME and Smithsonian magazines, and won the prestigious World Press Photo. She is in the permanent collections of the MFA Boston, Institut du Monde Arabe, and Carnegie Museum of Art, represented by East Wing. 

She mentors for the Arab Photography Documentary Program, teaching workshops internationally.

Jordanian-Texan photographer Tanya Habjouqa’s (NOOR Images) documentary practice includes visuals that are performative and co-authored. Her use of absurdism is intentional to her ethnographic work,  “subverting” reality, bridging politics and creative vision. She is a mentor for the acclaimed Arab Photography Documentary Program. There is a layer of gravitas beneath Habjouqa’s work, making her a rare breed of photographer able to seamlessly blend light-hearted and hard-hitting.


Photo by Tanya Habjouqa

Abdo Shanan


Abdo Shanan was born in 1982 in Oran, Algeria to a Sudanese father and an Algerian mother. Abdo studied Telecommunications Engineering at the University of Sirte, Libya until 2006. In 2012, he undertook an internship at Magnum Photos Paris, which gave him the opportunity to reflect on his photographic approach and make his first story for the magazine Rukh. His photographs have been published by a number of printed and online magazines as well as newspapers. In 2015, he received a nomination for Magnum Foundation Emergency Fund, and in 2016, his series 'Diary: Exile' was selected by the Addis Fotofest. Abdo in 2019 won The CAP Prize (Contemporary African Photography) for his ongoing project “Dry”, and in the same year he was selected for Joop Swart Masterclass by World Press Photo.

Photo by Abdo Shanan

Mohamed Somji

B. in Tanzania, 1976
Living and working in Dubai since 1976

Mohamed is the Director of Gulf Photo Plus, a Dubai-based photography gallery and community organization. In addition to offering a wide range of photography educational and art programs, the organization hosts a week-long annual event that draws the world's preeminent talent in photography and hosts events and activities with a view to nurturing and developing photography talent in the region.

His personal work aims to provide a critical commentary on social issues and challenge established forms of visual representation of people and places.

Mohamed Somji, born in Tanzania in 1976 and moved to Dubai a month later, has lived there since, with a short interlude in the US to pursue a degree in Business Administration and Marketing. He quit his corporate career in 2006 to take up photography professionally and his current practice focuses on documenting architectural projects in and around the MENA region.

Photo by Mohamed Somji

Faris Treish


Faris Treish is a recent high school graduate, based in East Jerusalem, and works as a photojournalist across Palestine. He focuses on creating new narratives and changing Palestinian representation in media. He started “The Smiles Across Palestine” campaign to raise money for the Palestinian Children’s Relief Fund. He is currently launching an online platform called “The Dawaween Collective” which is a collection of art and stories focused on identity, society, and culture. He is interning with Tanya Habjouqa of NOOR Images and Jadaliyya, and is pursuing a degree in Film, TV, and Media at Quinnipiac University. 

Jadaliyya Launches the Photography and Audiovisual Narratives Page

The Jadaliyya Photography and Audiovisual Narratives Page is an online space to showcase and discuss visual narratives from and/or about the Middle East and North Africa. The page serves both as a knowledge resource about visual production in the region, and also as a platform through which to expand perspectives related to how the region is represented, how communities see themselves, and one another.

There is no shortage of visual content on the region, most often narrated by outsiders. The Photography and Visual Narratives Page invites visual content creators to discuss and contextualize photography beyond mere regional boundary-making and to focus on acts of intimate personal telling. The platform is conceptualized as shared one with local creatives, a space for agency to present complex and creative local narratives both to their own communities and toward broader publics (instead of looking toward platforms outside of the region to do so). In this way, the conversations are brought closer to home for many creatives and content providers. At the same time, the online catalog may be used by international editors at media outlets seeking to diversify their rosters of visual storytellers.

As an online space, the Photography Page offers audio-visual material, educational resources, archival content, and media roundups. It is a platform to foster networking, exhibition, community building, resource sharing by and with innovative audio-visual narrators. We welcome comments and contributions to the new page at photo@jadaliyya.com.

With the relaunch of Jadaliyya’s Photography Page, now known as the Photography and Visual Narratives Page, we seek to make a critical intervention into the conversations around image production, storytelling, and representation in our region. We seek to enhance opportunities for narration from within the region, and to find meaningful ways to collaborate with artists, curators, researchers, and collectives working to create and amplify their own platforms. Our hope is to open a space of nuanced narrative construction while at the same time support the growing field of photography in the region. Instead of forced flat-lining and linear narration—accommodating mainstream Western and regional publications—we celebrate the expanded approach of multiplatform and multimedia, and the complexities of our stories. The personal is political! The innovation of storytelling in our region, to find ways to circumvent political suppression to tell our stories has never been stronger. We are a convener of experience, knowledge, and resources. Welcome to our community.

[This announcement represents the re-launch of the existing Photography Page, run previously by the able Michelle Woodward, under a new team and mission with a slightly modified title: Photography and Visual Narratives Page. The new Photography and Visual Narratives Page is co-edited by Mariam Alarab, Tanya HabjouqaMaryam al-Khasawneh, Abdo Shanan, Mohamed Somji, and Faris Treish.]

Articles

Jadaliyya Launches the Photography and Visual Narratives Page

Photographing Confinement

Visuals of a Setting That You Don't Know

Is This What You Mean by Intersectionality?

Media Roundup

Photography and Visual Narratives Media Roundup

Resources

Event: Battle of Algiers Film Discussion (7 July)

Vox Oculi: Prints for Yemen (by Shaima Al-Tamimi)

For A Narrative that is Yours

NEWTONs from the Archives

Gabriel Varghese, Palestinian Theatre in the West Bank: Our Human Faces (New Texts Out Now)

Greg Burris, The Palestinian Idea: Film, Media, and the Radical Imagination (New Texts Out Now)

Raja Adal, Beauty in the Age of Empire: Japan, Egypt and the Global History of Aesthetic Education (New Texts Out Now)

Nadje Al-Ali and Deborah Al-Najjar, eds., We are Iraqis: Aesthetics and Politics in a Time of War (New Texts Out Now)

See the film discussion of the Battle of Algiers here: