Arab Studies Journal Announces Fall 2020 Issue: Editor’s Note and Table of Contents

Arab Studies Journal Announces Fall 2020 Issue: Editor’s Note and Table of Contents

Arab Studies Journal Announces Fall 2020 Issue: Editor’s Note and Table of Contents

By : ASJ Editors

Arab Studies Journal

Vol. XXVIII, No. 2

Fall 2020


This issue offers historical, conceptual, and comparative insights on how techniques of inclusion and exclusion shape possibilities for belonging, collective life, political solidarity, and social contestation. Rim Naguib examines the deportation of socialists, communists, and syndicalists from interwar Egypt. British authorities legitimized the deportation of leftist resident foreigners or “local subjects of foreign extraction.” Naguib argues these ideological-ethnic deportations were central to the colonial rule of differ- ence and its legacies for the postcolonial Egyptian state. Rana AlMutawa’s urban ethnography of Emiratis in Dubai explores how “glitzy” places such as shopping malls and newly-built developments become sites of belonging. Challenging scholarly portrayals of Dubai’s “glitzy” development projects as alienating, inauthentic, or touristic, AlMutawa reveals how her interlocutors experience these spaces in personal and intimate ways while negotiating, upholding, and challenging social norms. Yusri Khaizran analyzes Israeli school curricula as a particular site for the production of a Druze identity and political sensibility severed and distinct from their Palestinian, Arab, and Islamic milieus. Tracing curricular and institutional developments in the education sector since the establishment of the State of Israel, he reveals 
critical junctures in the transmuting of Druze doctrinal particularism into a segregated sectarian identity, as part of a governance repertoire to exercise control over Palestinian-Arab society as a whole. Sima Shakhsari reads Fatima Mernissi’s 1994 Dreams of Trespass to reconsider queer kinship through temporal bonds and alliances. Shakhsari builds on this reading to challenge the politics of miseration in refugee discourse as well as the epistemological assumptions in gender studies and queer studies curricula that render Mernissi’s Dreams of Trespass—and much else from Middle East studies—an impossibility as a teachable text. The issue features a robust reviews section that engages recent major works in the multidisciplinary study of the Middle East. In usual fashion, it brings together a diversity of early career and senior scholars, both as authors and reviewers.

This issue marks the beginning of our co-editorship of Arab Studies Journal (ASJ). As two historians who take delight in troubling ruptures and easy periodization, we must begin by acknowledging that this issue is truly the product of the diligent work of ASJ’s former editor, Sherene Seikaly. She assembled these articles, with all that entails in terms of initial intake, peer review, and her own substantive and stylistic feedback to authors. More importantly, Sherene assembled us: the entire editorial team. She mentored us as editors, empowered us as team members, and bequeathed us internal structures that allowed us as co-editors to focus on the substance of the texts as we worked with authors to finalize their articles and the ASJ team to prepare this issue for layout and publication. During her thirteen years at the helm, Sherene elevated the status of ASJ as a leading academic publica- tion and challenged herself and the team to transition into producing two issues per year. She imparted to us an ethics of care, a praxis of solidarity, and a diligence that we will strive to carry forward. We can only hope to live up to her model and legacy of generous, incisive, tireless labor and leadership. That task is facilitated by the collective volunteer labor of the entire ASJ editorial team, whose enthusiasm, commitment, and rigor make each issue possible.

TABLE OF CONTENTS


Articles
 

6. The Ideological Deportation of Foreigners and “Local Subjects of Foreign Extraction” in Interwar Egypt
Rim Naguib 

44. “Glitzy” Malls and Coffee Shops: Everyday Places of Belonging and Social Contestation in Dubai
Rana AlMutawa 

76. On the State’s Education Apparatus: Zionization and Minoritarianism of Druze Consciousness in Israel
Yusri Khaizran  

108. Displacing Queer Refugee Epistemologies: Dreams of Trespass, Queer Kinship, and the Politics of Miseration
Sima Shakhsari 


Reviews
 

134. War over Peace: One Hundred Years of Israel's Militaristic Nationalism by Uri Ben-Eliezer 
Reviewed by Joel Beinin  

139. Envisioning the Arab Future: Modernization in U.S.-Arab Relations, 1945–1967 by Nathan J. Citino
Reviewed by Craig Daigle 

144. Machineries of Oil: An Infrastructural History of BP in Iran by Katayoun Shafiee 
Reviewed by Natasha Pesaran  

148. Electrical Palestine: Capital and Technology from Empire to Nation by Fredrik Meiton 
Reviewed by Zachary Davis Cuyler 

153. Arab Routes: Pathways to Syrian California by Sarah M. A. Gualtieri 
Reviewed by Stacy Fahrenthold 

158. Islands of Heritage: Conservation and Transformation in Yemen by Nathalie Peutz
Reviewed by Victoria Hightower 

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Arab Studies Journal Announces Open Access Spring 2020 Issue: Editor’s Note, Table of Contents, & Download Link

Arab Studies Journal

Vol. XXVIII, No. 1

Spring 2020
Open Access Issue 


This issue features a wealth of historical and contemporary insights on comedy, art, music, land, and labor. Carmen Gitre traces the vaudeville and comedy of the playwright Najib al-Rihani in early-twentieth-century Egypt. Reformers charged Rihani and his Everyman character, Kishkish Bey, with endangering the patriotic health of the newly independent nation. Gitre traces Rihani’s alternative moral and ethical vision of the nation, unfolding the Egyptiana theater as a shared liminal space of catharsis and imaginative transformation. Sarah Johnson takes us to mid-twentieth- century Iraq, where the work of artist Hafidh Druby married archeological practice with representational painting. Tracing Druby’s rise and fall as a pinnacle of art and theory, Johnson excavates blind spots in the history of modern Iraqi art, bringing to light multifaceted interpretations of modernity in Baghdad. Weaving performance ethnography, geography, and sound studies, Leila Tayeb explores post-Qaddafi Libya. She reveals how music is one of many quotidian sonic practices that produce militia power. Interrupting the conventional narration of Libya’s statelessness and its ostensibly bereft institutional landscape, Tayeb shows the audible and palpable ways that militias claim sovereignty. By detailing the dispossession of the villages of al-Kabri, al-Naher, Umm al-Faraj, and al-Tall in the western Galilee, Lily Eilan offers a new way to think about the Nakba. Reading mechanisms of negotiation, survival, and resistance to the Zionist state, Eilan illustrates a mode of transience in which Palestinians and Mizrahim accommodated, undermined, and exploited a new social order. The issue also features our stalwart book reviews section, anchored in an incisive review essay on Algeria.

****

With this issue, I step down as Editor of Arab Studies Journal (ASJ) after thirteen years of leading the team—as Co-Editor with Nadya Sbaiti from 2007 to 2013 and as Editor for the last seven years. Nadya recruited me to ASJ in 1998 at the Center for Contemporary Arab Studies at Georgetown University. The basement office became a refuge. There, Nadya, Bassam Haddad, Sinan Antoon, and Chris Toensing taught me about forging spaces for producing knowledge. We were graduate students committed to volunteer labor, radical approaches, and collaboration with scholars grounded in the Arab world. The faith and generosity of our mentors, Judith Tucker and Michael Hudson, allowed us to imagine the impossible.

Since its first issue in 1992, the journal has been a space for collaborative thinking and practice. I have witnessed ASJ in different formative moments: when it became fully peer-reviewed in 2000; when the book review section moved to New York City and a whole new flock of graduate students joined the team; and through the present day when interdisciplinary content and biannual publication have made ASJ a resource for publishing, research, and teaching. ASJ gives access to young scholars by inviting submissions, being transparent about our review process, and working closely with authors to let their work reach its full potential. The journal also provides scholars with experience in the world of publishing. Graduate students have joined ASJ and stayed on board long after their defenses and tenure.

ASJ was the brainchild of Bassam Haddad. Through the ideas and practices of the journal, Bassam began crafting the institutional force that gave birth to Jadaliyya, Quilting Point, the Forum on Arab and Muslim Affairs, and Tadween Publishing, all under the umbrella of Arab Studies Institute. ASJ is the mothership of these organic and collective bodies that produce textual, aural, and visual knowledge committed to the Arab world as far more than an object of study. What holds us together is solidarity and commitment.

My two closest companions on this journey have been Nadya Sbaiti and Ziad Abu Rish. Nadya taught me how to trim the excess to let the argument shine. Ziad has the power to bring together the minute details and the broader stakes. As book review managing editor, Leili Kashani mobilized me in an ongoing battle against the passive voice. Allison Brown modeled editing as a political practice that necessitates generosity and resilience. Dina Ramadan’s insistence on the highest of standards has elevated the journal.

ASJ is a place where long time comrades like Charles Anderson become dedicated scholarly leaders. It is also a place where former students become peers. Owain Lawson has infused life, persistence, and rigor into ASJ and my own writing practices. Taylor Moore and Amy Fallas have deepened and honed the content of these pages.

In 1999, in a collective copyediting session, Ranya Ghuma asked what in fact was the significance of implementing em-dashes when the people we were writing about were under force of fire. Some years later Anthony Alessandrini wrote Nadya and me apologizing for his request to edit a piece on nineteenth-century Beirut when the Beirut of the present was under the Israel army’s high-tech fire. In each instance, these colleagues asked: why does this work matter?

Nineteenth-century Beirut was a refuge. It was also a way to understand the present and envision the future. But there is more. Through those em-dashes and serial commas, we have built a new grammar. Grammar matters to what and how we know. Writing is not the end product of thought. Writing is a way to think. Writing is a collective endeavor. The emphasis on single authorship hides the labor, insight, and innovation of peer reviewers, copyeditors, designers, and printers. The single author you see on any piece of writing is a mask. One common tradition of masking is when academics claim to coin a term—the “what I call” routine. But, ideas are not private property. They are the fruit of collective labor. Care, rigor, and collectivity produce the best sort of knowledge.

As this issue goes to print, people the world over are still on lockdown in the wake of the Covid-19 pandemic. We are all struggling to imagine a future in the midst of a global escalation of uncertainty and precarity. We are mindful of what this escalation has and will mean to the already besieged people and spaces of Iraq, Palestine, Syria, and Yemen. Producing knowledge, collectively, will be more crucial than ever in the years to come.

TABLE OF CONTENTS


Articles

10. Nonsense and Morality: Interwar Egypt and the Comedy of Najib al-Rihani
Carmen Gitre


30. Impure Time: Archaeology, Hafidh Druby (1914-1991), and the Persistence of Representational Painting in Mid-Twentieth-Century Iraq (1940-1980)
Sarah Johnson


64. Militia Soundscapes in Post-Qaddafi Libya
Leila O. Tayeb


84. Paradise Lost: Land and Labor in 1950s Galilee
Lily Eilan 


Reviews

112. City of Black Gold: Oil, Ethnicity, and the Making of Modern Kirkuk by Arbella Bet-Shlimon
Reviewed by Gabriel Young


117. Gouverner la mer en Algérie: Politique en eaux troubles by Tarik Dahou
Reviewed by Thomas Serres


122. The Chaldeans: Politics and Identity in Iraq and the American Diaspora by Yasmeen Hanoosh
Reviewed by Amy Fallas


127. Arab Cinema Travels: Transnational Syria, Palestine, Dubai and Beyond by Kay Dickinson
Reviewed by Ada Petiwala


132. City of Beginnings: Poetic Modernism in Beirut by Robyn Creswell
Reviewed by Huda Fakhreddine 


Review Essay

138. In Search of Algeria: Between Literature, History, and Cultural Studies
Idriss Jebari

  • Algeria:Nation, Culture and Transnationalism: 1988-2015 by Patrick Crowley, ed.
  • The Algerian New Novel: The Poetics of a Modern Nation, 1950-1979 by Valérie K. Orlando
  • Algérie, les écrivains dans la décennie noire by Tristan Leperlier